Building a Buchla 248 MARF with Stages, Stages, Stages and Marbles

video upload by Cinematic Laboratory

"Sorry about that title. The MARF is short for the Multiple ARbitrary Function generator, a huge Buchla design carrying the model number 248, and is part of the 200 series. It's not easy to compare it with anything, but you could see it as a 16 step 0-CTRL, a Rossum Control Forge and maybe even the 250e circular Dual Arbitrary Function generator (DARF) like Frap Tools USTA. I contacted Todd Barton (thanks so much!) to be able to study a few MARF images. The sliders made me think of Mutable Stages, and the control section reminded me of Marbles. While getting lost on the way, I finally got a patch that sounded similar: 'music that sounds like dancing butterflies'.
The recipe involves variable timing, notes, a quantizer, and a transpose. You may also need a trigger or gate when a segment runs or finishes. There's a lot to explore here, and I don't think you can find a MARF in a single eurorack solution. I tried to approximate it, but I also needed Maths to do envelopes and gate extraction. It took a while to make this video and I wasn't sure about the results until the very end. Then suddenly, it worked.

You'll need a lot of stuff to do it, but there may be smaller solutions. I'll revisit this idea when my Control Forge arrives and I'll be able to combine USTA with the CF.

This is a complex video so I hope it will make a bit of sense. It would have been better to figure all this out and then make a video. But you'd be missing the fun of exploration. There are plenty of useful examples of how 'factory' Stages can be used, but I installed the Qiemem firmware for max flexibility. In the end I only used its 'random segment' feature in this video, but it doesn't play a role in the MARF patch. You can do this with factory Stages but it still requires a chain of 2 or 3. You can use any sequencer with a clock input for this. A DFAM will also help you to cover the time/level sequence.

Installation requires playing a .WAV into the module which can be bit of a drag. I recommend using a eurorack sample player like the BitBox for a high success ratio. Using a phone, PC or pad can be a nightmare. Also, I am not sure if the firmware works on a clone, please comment if you tried it.
https://github.com/qiemem/eurorack/re...

I am still trying to wrap my head around it. Even though Stages and Marbles are now discontinued, they're easy to find as fully functional clones. With Eurorack, we have the 'power' to build our own synths, or get inspired by designs which are still amazing and modern after +50 years. I hope it inspires you too."

Arturia Introduces the AstroLab - Avant-Garde Stage Keyboard

video upload by Arturia

Update: new user videos added below.

CLICK FOR MORE »

VEKT - Portable Drum Computer V.4

video upload by uszymyszy

"Hi! Here is v.4, I redesigned the enclosure to be more rugged, we have also a battery and speaker. Most of the errors are solved, the UI is quite cluttered yet and I make a lot of missclicks/wrong shortcuts but after some tweaks everything should go fluent.

The idea is to have a pocket version of Ableton workflow, simplified but easy enough to create sketches for further polishing in DAW. I plan to build several units for testers but is still a lot of work to do and I cannot guarantee anything at the moment. I will try to progress as much as possible to finish this in this year."

And from one year ago:

Vekt - Portable Drum Computer

video upload by uszymyszy

"I built a Pocket Operator alternative. It can now record and play internal synths. There are 4 engines:
- Bass (Roland TB-303 mod),
- Lead (8bit style),
- Braids (implementation of Mutable Instruments eurorack module),
- Wavetable (several waves mixed by knobs)

I hope the UI is self explanatory, it is focused on simplicity and uses Ableton-like mini session view to launch clips"

The first prototype was shown 3 years ago on reddit.

It looks like a Dirtywave M8 tracker, but is different in both build layout and function. From the creator:

"M8 is a stunnig device for complex projects, I plan to keep my Vekt operator more like pocket op where you can quickly create sketches/ideas and polish them later on DAW. And the main idea for me personally was to quickly create rhythmic sequences which I can use with my visualization app instead making them in DAW, this will speed up the process."

Behringer Edge Modular Patches/Patterns/Samples No Talk Demo

video upload by Anton Anru

"Behringer Edge «Modular Grooves» is a collection of 50 patches + patterns: 17 Percs/Drums, 16 Basses, 17 Synths. It is dedicated to the modular vibe, loved for its analog warm sound, experimental attitude, rich opportunities, unique features and tones, and inspirational workflow.

💎 The presets feature various colors: warm, noisy, detuned, distorted, as well as mild, clean, soft, punchy, dark, bright, deep, and airy.
Some timbres are great to play the first role in tracks or jams, while others will work perfectly as additional parts.
You may use the patches as they are, but I strongly recommend tweaking the knobs to develop the timbre during your performance and get an exciting experience.

📥 Get the soundset: https://antonanru.sellfy.store/p/edge...

💽 The soundset also includes 24/41000 WAV samples, accompanied by BPM and scale information. You can use them as they are, or you're free to resample, edit, and apply effects. These samples offer a versatile material for your experimentation.

📚 The soundset is presented in PDF format. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.

🎧 There are audio examples of all patches inside the folder with the soundset.
To recreate these patches, you need up to 3 patch cords.

Tuning is an important part of the final result, but it’s quite difficult to depict the settings of oscillators frequencies and sequencer knobs as they are quite small, and even a tiny movement may shift the pitch. I tried to be as accurate as possible to draw these settings (the way they play in the audio examples), but don’t be upset if you can’t recreate the same melody. You may spend some time to catch the same melody, or you may use the settings as a starting point for your own melodic or percussive lines.

I used an external USB clock from Ableton Live. When external clock is used, TEMPO knob has no effect, so I left its value on some default position. Only tempo division (SCALE) changes the playback. If you use EDGE as a master clock device, change TEMPO to your taste.

🔔 The video contains demo tracks featuring these presets. I've added other samples, drums and pads, to create a complete musical context. The EDGE sequences can be quite complex, producing various timbres at once, like bass and percussion. To help you distinguish, I've marked the EDGE and ADDITIONAL SOUNDS with different colors.
These ADDITIONAL SOUNDS are not included in the soundset.

CLICK FOR MORE »

Moog Memorymoog with MIDI & Extras SN 2361

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

CLICK FOR MORE »

Moog DFAM: Modular Grooves Patches/Patterns. No Talk Demo

video upload by Anton Anru

"The new Moog DFAM soundset has been highly requested by my subscribers. The first bank, «Techno Generator», received many positive feedbacks over the past few years.
«Modular Grooves» is a collection of 50 patches + patterns: 17 Percs/Drums, 16 Basses, 17 Synths. It is dedicated to the modular vibe, loved for its analog warm sound, experimental attitude, rich opportunities, unique features and tones, and inspirational workflow.

📦 Get the soundset: https://antonanru.sellfy.store/p/dfam...

💎 The presets feature various colors: noisy, detuned, distorted, as well as mild, clean, soft, punchy, dark, bright, deep, and airy.
Some timbres are great to play the first role in tracks or jams, while others will work perfectly as additional parts.
You may use the patches as they are, but I strongly recommend tweaking the knobs to develop the timbre during your performance and get an exciting experience.

📚The soundset is presented in the form of PDF-Document. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.

🎧 There are audio examples of all patches inside the folder with the soundset.
To recreate these patches you need up to 3 patch cords.

💽 The soundset also includes 24/41000 WAV samples, accompanied by BPM and scale information. You can use them as they are, or you're free to resample, edit, and apply effects. These samples offer a versatile material for your experimentation.

🔔 You are listening to demo tracks featuring these presets. I've added other samples, drums and pads, to create a complete musical context. The DFAM sequences can be quite complex, producing various timbres at once, like bass and percussion. To help you distinguish, I've marked the DFAM and ADDITIONAL SOUNDS with different colors.
These ADDITIONAL SOUNDS are not included in the soundset.

CLICK FOR MORE »

Euro Rat ( Distortion) by FUNQUE MOD

video upload by Ebotronix

"as a guitar player I had the Pro Co Rat when it came out.
many years later I found it as an Eurorack module.
Funque Mod Euro Rat
Feedback Modular two 59.
System 80 2x µ Jove.
Tunefish Modular CV Peaks, Kings,2x µ Veils, Braids .
Ryo Optodist.
Erica Synths Drums.
After Later Audio Ornament and Crime (Aeolian Scale).
WMD 2x Time Warp.
Make Noise Mimeophone,Tempi.
MengQMusic DPLPG
Boss MD 500
Strymon AA1 Level Shifter and
2x Cloudburst ~ Midi CC by 16n Faderbank!
20.03.2024
video # 2355"

Asking synth manufacturers to say the F word...at London Synth & Pedal Expo

video upload by mylarmelodies

"Being a collection of interviews I shot at the London Synth & Pedal Expo '24, after they hired me to cover the event. The format was up to me. So I put the SAME two questions to industry folks at the show: 1️⃣ What is your favourite thing you sell? 2️⃣ What your favourite thing you DON'T sell?"

CHAPTERS
00:00 The Journey Begins
00:41 Divkid
02:44 Endorphines
03:53 Knobula
06:07 Lord Morts Thoughts
08:29 Nick Batt - Sonic State
11:29 Signal Sounds
14:35 ASM/Arturia
16:52 Scanner & Daniel Troberg
18:12 KMR Audio
19:51 ALM Busycircuits
24:05 RYK Modular
26:14 Enjoy Electronics
27:41 Erica Synths
29:04 PWM Synths
31:08 Journey's End

Good people make for good events and good gear, so lets meet them // London Synth & Pedal Expo 2024

video upload by DivKid

"What an amazing weekend we've just had! Here's a video with some of the people at the London Synth & Pedal Expo 2024. Held over this past weekend (Saturday and Sunday the 16th+17th of March 2024) in Studio 9294 in Hackney Wick, the London Synth & Pedal Expo is a free to attend show with plenty of synths, modular and pedal FX on show for people to come and play with.

As it takes good people to make good events (and the good gear we love) I wanted to focus on the people, asking who they are and what they do, more specifically how would they explain what they do to someone with no idea about synths, pedals and music tech. That led to some funny answers, all spread around various bits of b roll and footage from the event."

♫ Jamming With a Bunch of Synths ♫ ----- (79)

video upload by

"This jam is a little weird. My phone was on low battery which made the video slightly glitchy. I was a bit distracted during this recording so it's maybe a bit more boring than usual. There is also a couple mysterious audio drop outs near the end of the video. I didn't notice these prior to uploading so it's possible something went wrong when combining the audio and video files or something.

5U Modular (Synthesizers.com, STG Soundlabs, Synthetic Sound Labs)
Akai MPC X
Behringer Pro-1 (Sequential Circuits Pro One clone)
Clavia Nord Wave
Cherry Audio Voltage Modular (software modular)
cre8audio East Beast
Elta Music PF-3 Stereo Multimode Filter (Formanta Polivoks chips)
Erica Synths Syntrx II
Landscape Noon
Korg Delta
Korg Mono/Poly (x2)
Make Noise 0-ctrl (analog sequencer/touch keyboard)
Moog Source
Roland TR-55
Simmons SDS-V
Studio Electronics Boomstar 5089 mk11
Yamaha CS-15 (with UAD Bermuda Triangle distortion plugin)"

Fun Times with CV & Gate

video upload by Circuit 3

"If you know synths and are a bit of an expert this video isn't for you. But: are you synth curious? Grab a drink and make yourself comfortable. Watch me learn how to use some of my synth equipment. My goal was to use only "old school" voltages to control the equipment. CV stands for 'control voltage' and gate means a pulse of electricity which can be used to cause a note to start playing or to tell an electronic instrument what the tempo is. If you liked this ... buy my music!

If you'd like to hear what happened when I pressed record and improvised live?"

Patience [Live Performance]

video upload by Circuit 3

"Recorded live using analog synthesizers controlled by a hardware sequencer. My goal was to use only "old school" voltages to control the equipment. This is part of a project in development. It will probably feature but possibly in a new mix and edit."

Ableton Live Presets: Atmospheric Vintage Pads, Keys, Arps

video upload by Anton Anru

"Ableton Live - Memories On Tape is a collection of 50 presets that includes: 8 Arps, 7 Keys, 9 Pads, 5 Rhythmical, 7 Strings, 7 Synths, 7 Textures.
The bank of presets is dedicated to romantic, melancholic, nostalgic, retro/vintage, lo-fi sound. It features various colors: warm and cold, noisy and detuned, soft and punchy, dark and bright, clean and distorted, deep and airy.

🧿 Get the soundset: https://antonanru.sellfy.store/p/able...

🎹 The presets are presented in the Instrument Rack format, which combines synths and effects in a single device. Each Instrument Rack has 8 Macros that make it easy to develop timbre and adjust key parameters.

🎛 The macros are a significant part of the soundset. They can change tone, stereo width, modulation depth and rate, noise level, distortion, detuning, space/echo/reverb, effects mix, envelope parameters, and others.
You may control them via MIDI controller like Push, use them for automation, or map the macros to Ableton modulators like LFO, Shaper, and others.

For the soundset, I utilized only Ableton Suite's built-in instruments and effects. No external installations, such as M4L devices or samples, are required.

The soundset is suitable for many genres: ambient, electronica, IDM, trip-hop, lounge, downtempo, pop, chill out, new age, cinematic, trance, deep, progressive, techno, retrowave, synthwave, breaks, jungle, drum and bass, dub and others.

Highlights:
🔹 Wide range of timbres
🔹 Thoroughly set parameters
🔹 Velocity sensitive
🔹 ModWheel adds expression
🔹 8 macros to shape the timbre during performance
🔹 Live 12 Browser Tags for a more comfortable browsing experience

🔔 The presets are compatible with Ableton Suite 11 or higher.
Please note that they are strictly for Suite version only. Standard, Lite, and Intro versions do not include the instruments used for the presets.

📦 Installation.
Put the folder "Anton Anru - Memories On Tape" into your Ableton User Library - Presets - Instruments - Instrument Rack. Just drag and drop the folder from your OS browser into Live browser.
Contains two versions: Live 11 and Live 12 (with Browser Tags).

CLICK FOR MORE »

Gone | MIDERA - Downtempo IDM

video upload by MIDERA

"I have been debating selling my Roland JX-3P (well, trading it for my old Virus kB, because I just love that keybed, even though I've got the TI). So of course I brought my JX-3P out and tested it out. Then I tested it against my System 8. Doing that made me just appreciate the JX more. Sigh. I don’t know why it is so difficult to part with this stuff. But when I played this sound (that you hear at the beginning), it just sang to me. I loved the noise that seems to become additive with more notes. It somehow helps create the tone I’m going for, especially when sent through the Strymon Volante pedal. It’s not that the System 8 doesn’t sound similar (in fact, I think I created this sound on the S8 first and then ported it over to the JX), it does, but it doesn’t impart any noise, or what I would call “character”. It just sounds lifeless in comparison. And so I’m left with what I’m always left with. More gear, because I find all my stuff useful and fun.

Well, I’m sure I could just do the trade. I bet any number of synths I have could make this sound. It didn’t even use ‘that famous Roland Chorus’. I probably spend more time trying to tell myself I can sell my gear, and then don’t, than I do playing the gear for music.

But I guess this time I used it to my advantage. I made a song of it.

Gear:
Radikal Technologies Spectralis II (Drums, sequencing)
Virus TI (Pad parts and keys)
Roland JX-3P (intro part and similar sounds throughout)
Sequential Prophet 10 (synth part)
Strymon Volante (delay for JX-3P)
Eventide Blackhole VST (reverb)"

Contraption

video upload by nbor

"Gearing up for Wednesday's monthly in dt San Jose. I've been trying to make the most of the small synths, as it makes for a very portable situation. With only one effect on one sound, it is all very close to the circuits and raw.

Production notes: A dawless jam run on battery power alone. Roland SH-01A, Korg Volca FM, Meeblip Geode, @1010music Blackbox, and Sensel Morph. The Roland is going through a @MerisUs LVX delay. I found the cheap and compact "G-MARK" mixer from AliExpress for frighteningly cheap. It does a darn decent job, and is crazy small.

There are a couple battery packs - a 150Wh and a 99Wh. I ended up using the 2nd because the blackbox was making too much USB noise when everything was plugged into the 150Wh. There was still quite a bit of noise, but the Izotone RX-8 does a good job cleaning that out."

Behringer Edge with the DB-01

video upload by Richard DeHove

"The Edge-DFAM class of machines is an odd category. Not a very good as a synth due to the constant (and necessary) manipulation of the oscillator frequencies. Not particularly good as a drum machine due to the 8-step limitations and the delicate juggling required to squeeze out multiple sounds. And not so great live since there are no presets and too many parameters to easily morph to a different sound. OTOH if you want a random percussion chaos layer then it's the perfect solution.

Of course they're great fun to twiddle and make unexpected discoveries. They also pair up pretty well with more conventional machines to produce a more complex result than you'd get with 'ordinary' synths.

Having owned both the DFAM and Edge I'm happy but hesitant to admit that in a 1:1 matchup I'd choose the Edge. This is entirely due to the MIDI clock options: The sequence must always start at the start - duh. Some people say the DFAM sounds better (whatever that means) but I'm not feeling anything radically different. My only complaint is that the LPF feels murky and doesn't interact with the resonance control in a pleasing way. The HPF is much superior imo and saves the filter section. Of course it may be that I've now been trained by prolonged Polivoks filter exposure to expect satisfying grit and tortured screaming.

Back on the topic of 'Would I use it live', the more I thought about that the more I thought I'd use the LXR-02 instead. Perhaps a video 'The LXR-02 does the DFAM' would be good?

It may also be of interest to note the use of the DB-01 gate output connected to the noise level in Demo 1. It generates some noise percussion when playing normally because of the gate length but this largely disappears when playing the arpeggiator's much shorter gate length.

As usual there are absolutely no external effects or DAW processing.

0:00 Unboxing
1:25 The setup
1:42 MIDI reset
2:27 Clock divider
3:13 Tuning
4:05 Demo 1: Cheese
4:39 Demo 2: Swinger
5:19 Demo 3: Rubber
6:22 Demo 4: Wired

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Between | Roland JD-990 controlled by the JD-800 space ambient

video upload by MIDERA

"Today I figured I would test combining the JD-800 as an editor for the JD-990 and quickly decided: I hate it. You just can’t edit enough to make it worth it. Yes, you have access to all of the front panel controls, which is nice, but you really can’t do it very seamlessly. Imagine you are editing Tone 1 and want to switch to editing Tone 2, but you don’t want to hear Tone 1. Normally you can shut off Tone 1, but you can’t do that via the JD-800, you’d have to use the 990 to do it. And the only way to access card data on the JD-990 is by ensuring both the JD-800 and 990 have cards in them (obviously the JD-990 needs a card if you want to use it, but it’s frustrating that the 800 also needs a card for you to switch to the JD-990’s card). You can’t edit the FX or really anything embedded in a menu.

As Don Solaris and others on Gearspace suggest – they really are two separate synths. Using the JD-800 as an editor for the JD-990 is just not efficient or fun. The whole point of all the sliders is for ease of use and speed – things you begin to lose when using the JD-800 to edit the JD-990 because of all of the gotcha’s.

I don’t know if I want to keep the JD-800. The JD-990 is just so much better for what I want that I think I can live with the worse interface in exchange for the better sound. I’ll keep them for a while perhaps and see what I create that I like more with each. I think the conclusion will be that the JD-990 will be more useful and take up less space. Hard to give up such a great UI, but I have other synths. And actually, something nicer about the 990’s interface is that you can independently turn on and off Tone’s AND also turn on and off the ones you wish to edit. On the JD-800, you have to press a button to switch between ‘layer/active’, which is an extra annoying step.

Such a shame that there is no Roland JD-900. If Roland tried making it today, they’d use zencore and it wouldn’t be the same thing. Again, huge shame.

No FX added."

LFO Mod Magic, Make better sounds now!

video upload by Ricky Tinez

In this LFO Deep Dive we'll explore the world of synthesis modulation using the Novation Peak, though this can be done on most synths especially VSTs. We'll take 2 LFOs to modulate one another and then add some key tracking to take things to the next level. These synth tips are such fun and easy tools to have in your back pocket when you want to spice up your sound. I really hope you learn something here! Take care."

See You Later Oscillator Hat

00:00 The Goal Today
01:32 Step #1
02:15 How To Use LFO Fade Time
02:45 Utilizing LFO Repeats
03:16 If you don't like this sound, here's how to fix it
04:30 Step #2
05:16 LFO 2 to LFO 1 Rate.. Cross Modulation!
06:11 LFO KeySync
06:57 LFO 2 Repeat Setting! Super Crucial
08:55 Fine Tuning the Modulation
09:28 Step #3 - What I Heard In My Head
09:45 Keyboard Tracking to LFO 1 Rate
12:37 This is the Final Cherry On-Top
15:26 NOW THIS IS THE PATCH! wooooo

Crazy matrix modded Roland JX3P w/ PG2K programmer. Ultimate vintage poly synth. Kiwi3P

video upload by Vincent Presley

"Quick sound demo of the 1983 Roland JX3P modded into a 3 lfo, 3 eg, mod matrix monster poly synth. Shout out to Vulture Culture who did a great video showing what an underrated synth this is even before any mods. Audio is 100% dry / pure JX. Everything I own was paid for without any deals or discounts. I buy synths for myself and Secret Records LLC which I own and run. I make these videos because….. I really don’t know. Like and subscribe. Patreon page coming soon that will include exclusive content about me and the label releases and if I get enough subscribers I will be making exclusive vinyl releases for yall."

Rare ARP 2600 Blue Marvin Jam (w/ Cameron Graves)

video upload by Anthony Marinelli Music

"It's always fun to perform with my good friend Cameron Graves aka "The Planetary Prince". I was introduced to Cameron and his brother Taylor Graves in 2008 by Jada Pinkett Smith when we co-scored her film, The Human Contract. We've remained friends and musical brothers ever since. We hope you enjoy this music that we created right before the cameras started rolling . We intend to make more of these synth jam videos in the near future.
We're playing the solos on an extremely rare ARP 2600 "Blue Marvin" which was a prototype for the Tonus ARP 2600 that actually went into production. The rest of the synths include a later model gray faced ARP 2600, an orange faced ARP 2600, the Korg ARP 2600 M, Moog Minimoog, Korg MS-20 and ARP Omni String Synthesizer. The drums are performed by my engineer Ben Rachlis on a vintage LinnDrum the he is processing through The OTO Biscut, Bim, Bam and Boom.
Please remember to like and subscribe to these videos. It would mean a lot to me and my dedicated and enthusiastic crew. Thank you to all for your support and inspiring comments!

00:00 Intro
00:53 Blue Marvin Jam
01:17 Melody
02:01 Blue Marvin Solos
03:18 Breakdown
03:35 Melody
04:21 Special Thanks
04:26 Logo (music)"

Monotrail Tech Talk Eurorack Sound Design Sessions - Noise & Transients

Can NOISE make you sound better!? – Eurorack Sound design sessions

video upload by Monotrail Tech Talk

"Noise is a common ingredient in synthesis. But many stand alone synths have limited ways to use it. In this video I explore some ways to patch and use noise in modular patches. Not just the classic white noise. But also sampled and self made noise!

My Patreon: https://www.patreon.com/monotrail

Timetable:
00:00 – All about noise
02:37 – Noise in a voice
08:37 – Sound design & texture
12:48 – Noise as a modulation source"

My sounds changed when I discovered transients! – Eurorack sound design ep2

video upload by Monotrail Tech Talk

"A transient - or the short start of a sound - has a lot of impact on how a sound is perceived. Yet a lot of synths and patches don’t explore transients very well. With a modular system, there are many ways to create and sculpt transients in detail, so in this video we take a closer look at some options!

My Patreon: https://www.patreon.com/monotrail

Timetable:
00:00 – Transients
01:13 – Basic filter transient patches
04:53 – More filter transient patches
08:28 – Sound shaper transient patches
12:59 – Separate transient patches"

TAL Software Introduces TAL-Pha Roland MKS 50 / Alpha Juno II Emulator & Software Editor

video upload by TAL Software

"All synthesizer sounds were created with TAL-Pha"

TAL Pha vs MKS 50 / Alpha Juno II

video upload by

"This video compares our hardware MKS 50 with the TAL-Pha audio plug-in, which emulates the sound of the hardware device.

The videos try to capture the essence of some sounds. You will not hear beautiful melodies, just some raw hardware factory presets. I'm also a bad piano player. Probably someone else can make a better video.

The tests are carried out with the factory presets of the hardware. Both synthesizers play at the same time. We alternate the output every few seconds. The sequencer shows the volume curves; the first channel is the software and the second is the hardware.

The first row of the spectrum analyzer shows the software synthesizer. The second row is the hardware. The oscilloscope on the top shows the master channel with the waveform of the final output.

The MKS 50 is an analog device. Things will never match exactly. LFOs and DCO phases are free-running and never match. Volume, resonance intensity, and hardware envelopes are slightly different for each voice.

The intro is done with the software emulation and it's internal FX.

Notes:
We improved some things like the envelope, the chorus, and also the bass boost after we made this video."



via TAL Software

TAL-Pha is an instrument plug-in that emulates the sound of the analog 80's synthesizer Alpha Juno II (MKS-50 is the rack version).

The plug-in produces the classic analog sound, combined with modern flexibility and many additional functions. The plug-in can read and convert sysex information from the hardware and can also be used as a controller.

Authentic emulation of the 80's hardware synthesizer.

Resonance boost for filter self-oscillation.

The possibility to detune, modulate, and sync the pulse part of the DCO.

Simple but powerful FX section with delay, reverb, and a bell-eq.

Arpeggiator with different modes.

Stereo UNISON mode with up to seven voices.

Aftertouch and MPE support.

Microtuning support (tun file import and MTS Client).

Original factory banks included.

More than 380 fresh presets by Electric Himalaya, The Unfinished, Saif Sameer, emptyvessel and TAL.

Individual tuning for every voice converts the synths DCO into a VCO.

Reads Sysex files and Sysex MIDI from the hardware device.

Can also control a hardware device. If enabled, it sends Sysex through the plug-in MIDI output (only possible when supported by the DAW).